2b435aea5b09402eb2c282cd0fd2f6f9a001d2c4
Decision-Log.md
| ... | ... | @@ -4,6 +4,7 @@ Use this page for decisions that change production canon. Newest entries go firs |
| 4 | 4 | |
| 5 | 5 | | Date | Area | Decision | Status | Affected pages | |
| 6 | 6 | | --- | --- | --- | --- | --- | |
| 7 | +| 2026-07-26 | Suno voice prompting | Use stable voice descriptions rather than character names in performer tags so names are not interpreted as sung performers; names may remain in lyrics | Approved | [Music and Voices](/Music-and-Voices), [Season 01 — Music Bible](/Season-01---Music-Bible) | |
|
| 7 | 8 | | 2026-07-26 | Season 01 music | Use an acoustic-storybook-adventure album identity, six rotating song families, fixed series signatures, and varied episode composition across the A–Z music map | Approved direction | [Season 01 — Music Bible](/Season-01---Music-Bible), [Music and Voices](/Music-and-Voices) | |
| 8 | 9 | | 2026-07-26 | Shot timing | Import the finished Suno song into Palmier, transcribe it with Whisper, review the exact timecodes, and derive shot ranges before Anima storyboarding | Approved | [Music and Voices](/Music-and-Voices), [Visual Pipeline](/Visual-Pipeline), [Episode Template](/Episode-Template) | |
| 9 | 10 | | 2026-07-26 | Pipeline order | Suno is always the first media-generation stage; lock its selected audio and timing map before Anima storyboarding, then use Wan and finish in Palmier | Approved | [Music and Voices](/Music-and-Voices), [Visual Pipeline](/Visual-Pipeline), [Little Lanterns Format](/Little-Lanterns-Format) | |
Music-and-Voices.md
| ... | ... | @@ -74,6 +74,35 @@ sound like a real character rather than a generic children’s choir singer. |
| 74 | 74 | The guest moment remains brief. It may be a chant, echoed answer, rhythmic |
| 75 | 75 | sound, musical hiccup, or whisper-sung phrase. |
| 76 | 76 | |
| 77 | +## Suno performer-tag rule |
|
| 78 | + |
|
| 79 | +**Use voice descriptions instead of character names in performer tags.** Suno |
|
| 80 | +may interpret a named tag as text to sing or as an unstable performer |
|
| 81 | +instruction. |
|
| 82 | + |
|
| 83 | +Use stable descriptive tags: |
|
| 84 | + |
|
| 85 | +```text |
|
| 86 | +[Spoken word — warm adult narrator] |
|
| 87 | +[Young girl voice — warm, melodic] |
|
| 88 | +[Young boy voice — bright, playful] |
|
| 89 | +[Tiny young guest voice — determined] |
|
| 90 | +[Young girl and young boy — spoken together] |
|
| 91 | +``` |
|
| 92 | + |
|
| 93 | +Do not use: |
|
| 94 | + |
|
| 95 | +```text |
|
| 96 | +[Lumi] |
|
| 97 | +[Pip] |
|
| 98 | +[Ada] |
|
| 99 | +[Lumi and Pip] |
|
| 100 | +``` |
|
| 101 | + |
|
| 102 | +Character names may appear normally inside lyrics and narration. The persistent |
|
| 103 | +lead descriptions should be copied verbatim between episode prompts; the guest |
|
| 104 | +description changes only as needed for the episode’s musical identity. |
|
| 105 | + |
|
| 77 | 106 | ## Song brief structure |
| 78 | 107 | |
| 79 | 108 | ```yaml |
| ... | ... | @@ -103,8 +132,8 @@ song: |
| 103 | 132 | structure: "" |
| 104 | 133 | emotional_arc: curious -> uncertain -> delighted -> warm |
| 105 | 134 | spoken_word: |
| 106 | - opening: "[Lumi, softly spoken]" |
|
| 107 | - pivot: "[Pip, excited spoken interjection]" |
|
| 135 | + opening: "[Young girl voice — warm, melodic; softly spoken]" |
|
| 136 | + pivot: "[Young boy voice — bright, playful; excited spoken interjection]" |
|
| 108 | 137 | sections: |
| 109 | 138 | - intro |
| 110 | 139 | - call_and_response_verse |
| ... | ... | @@ -141,7 +170,8 @@ combined in Palmier. |
| 141 | 170 | ## Rules |
| 142 | 171 | |
| 143 | 172 | * Give each voice an intention and feeling, not just a name. |
| 144 | -* Use spoken tags where story clarity matters. |
|
| 173 | +* Use descriptive performer tags, never character names, in Suno instructions. |
|
| 174 | +* Use spoken-word tags where story clarity matters. |
|
| 145 | 175 | * Let the chorus express the discovery, not merely repeat the letter. |
| 146 | 176 | * Preserve the album locks while changing melody, tempo, rhythm, arrangement, |
| 147 | 177 | and structure between episodes. |
S01E01---The-Apple-and-the-Ant.md
| ... | ... | @@ -0,0 +1,242 @@ |
| 1 | +# S01E01 — The Apple and the Ant |
|
| 2 | + |
|
| 3 | +**Letter:** A |
|
| 4 | +**Season:** Season 01 |
|
| 5 | +**Story status:** Candidate |
|
| 6 | +**Song script status:** Candidate for Suno generation |
|
| 7 | +**Music family:** Work Song |
|
| 8 | +**Target duration:** Approximately 2:20–2:50 |
|
| 9 | + |
|
| 10 | +## Story |
|
| 11 | + |
|
| 12 | +Lumi and Pip help Ada the Ant move a giant apple blocking the entrance to her |
|
| 13 | +home. |
|
| 14 | + |
|
| 15 | +## Music direction |
|
| 16 | + |
|
| 17 | +**Stomping acoustic work song** |
|
| 18 | + |
|
| 19 | +The episode opens with a very short spoken introduction and the recurring |
|
| 20 | +three-note lantern chime, then moves immediately into a rhythmic folk groove. |
|
| 21 | +The arrangement builds around pushing and rolling, uses playful stops, and |
|
| 22 | +includes one brief instrumental rolling sequence. |
|
| 23 | + |
|
| 24 | +## Performer-tag contract |
|
| 25 | + |
|
| 26 | +Use voice descriptions rather than character names in Suno performer tags. |
|
| 27 | +Names may appear inside the lyrics. |
|
| 28 | + |
|
| 29 | +| Story role | Required tag | |
|
| 30 | +| --- | --- | |
|
| 31 | +| Narrator | `[Spoken word — warm adult narrator]` | |
|
| 32 | +| Melodic host | `[Young girl voice — warm, melodic]` | |
|
| 33 | +| Rhythmic host | `[Young boy voice — bright, playful]` | |
|
| 34 | +| Guest | `[Tiny young guest voice]` | |
|
| 35 | +| Hosts together | `[Young girl and young boy — together]` | |
|
| 36 | + |
|
| 37 | +## Suno lyrics |
|
| 38 | + |
|
| 39 | +```text |
|
| 40 | +# THE APPLE AND THE ANT |
|
| 41 | + |
|
| 42 | +[Spoken word — warm adult narrator] |
|
| 43 | + |
|
| 44 | +A new letter. |
|
| 45 | +A new adventure. |
|
| 46 | + |
|
| 47 | +[Young girl and young boy — spoken together] |
|
| 48 | + |
|
| 49 | +Let’s follow the light! |
|
| 50 | + |
|
| 51 | +[Short lantern chime] |
|
| 52 | + |
|
| 53 | +[Young girl voice — warm, melodic] |
|
| 54 | + |
|
| 55 | +Along the trail beneath the trees, |
|
| 56 | +We heard a tiny sound— |
|
| 57 | + |
|
| 58 | +[Young boy voice — bright, playful] |
|
| 59 | + |
|
| 60 | +“Excuse me! Hey! I need some help! |
|
| 61 | +There’s something big and round!” |
|
| 62 | + |
|
| 63 | +[Young girl voice] |
|
| 64 | + |
|
| 65 | +A red, red apple, shiny and tall, |
|
| 66 | +Had tumbled from the tree. |
|
| 67 | + |
|
| 68 | +[Young boy voice] |
|
| 69 | + |
|
| 70 | +And Ada the Ant was pushing hard— |
|
| 71 | + |
|
| 72 | +[Tiny young guest voice] |
|
| 73 | + |
|
| 74 | +It’s much too big for me! |
|
| 75 | + |
|
| 76 | +[Chorus — young girl and young boy] |
|
| 77 | + |
|
| 78 | +A is for apple, |
|
| 79 | +A is for ant. |
|
| 80 | +Ada keeps trying— |
|
| 81 | +She says, “Yes, I can!” |
|
| 82 | + |
|
| 83 | +Push it a little, |
|
| 84 | +Give it a roll. |
|
| 85 | +Working together, |
|
| 86 | +We’ll reach our goal! |
|
| 87 | + |
|
| 88 | +[Young boy voice] |
|
| 89 | + |
|
| 90 | +I pushed from the left. |
|
| 91 | +Ada pushed right. |
|
| 92 | + |
|
| 93 | +[Tiny young guest voice] |
|
| 94 | + |
|
| 95 | +Push, push, push |
|
| 96 | +With all of your might! |
|
| 97 | + |
|
| 98 | +[Young girl voice] |
|
| 99 | + |
|
| 100 | +But pushing it straight |
|
| 101 | +Wasn’t working at all. |
|
| 102 | + |
|
| 103 | +[Young boy voice] |
|
| 104 | + |
|
| 105 | +My feet started slipping— |
|
| 106 | + |
|
| 107 | +[Tiny young guest voice] |
|
| 108 | + |
|
| 109 | +And so did the ball! |
|
| 110 | + |
|
| 111 | +[Instrumental stop] |
|
| 112 | + |
|
| 113 | +[Young boy voice] |
|
| 114 | + |
|
| 115 | +Whoa! |
|
| 116 | + |
|
| 117 | +[Young girl voice] |
|
| 118 | + |
|
| 119 | +Wait. Look closely. |
|
| 120 | +What do you see? |
|
| 121 | + |
|
| 122 | +Two branches were leaning |
|
| 123 | +Beside the apple tree. |
|
| 124 | + |
|
| 125 | +[Young boy voice] |
|
| 126 | + |
|
| 127 | +They meet at the top, |
|
| 128 | +With a branch in between! |
|
| 129 | + |
|
| 130 | +[Young girl and young boy — together] |
|
| 131 | + |
|
| 132 | +It looks like the letter A, |
|
| 133 | +Standing tall and green! |
|
| 134 | + |
|
| 135 | +[Work chorus — all three voices] |
|
| 136 | + |
|
| 137 | +A! A! Apple! |
|
| 138 | +A! A! Ant! |
|
| 139 | + |
|
| 140 | +Lift the branch gently, |
|
| 141 | +Yes, yes, we can! |
|
| 142 | + |
|
| 143 | +One little push, |
|
| 144 | +Then give it a roll— |
|
| 145 | + |
|
| 146 | +[Tiny young guest voice] |
|
| 147 | + |
|
| 148 | +Away from my doorway |
|
| 149 | +And into the bowl! |
|
| 150 | + |
|
| 151 | +[Musical rolling sequence] |
|
| 152 | + |
|
| 153 | +[Young girl voice] |
|
| 154 | + |
|
| 155 | +The apple rolled slowly— |
|
| 156 | + |
|
| 157 | +[Young boy voice] |
|
| 158 | + |
|
| 159 | +Then faster downhill! |
|
| 160 | + |
|
| 161 | +[Tiny young guest voice] |
|
| 162 | + |
|
| 163 | +Past one little acorn— |
|
| 164 | + |
|
| 165 | +[All three voices] |
|
| 166 | + |
|
| 167 | +And stopped very still! |
|
| 168 | + |
|
| 169 | +[Final chorus — young girl and young boy] |
|
| 170 | + |
|
| 171 | +A is for apple, |
|
| 172 | +A is for ant. |
|
| 173 | +No one is too little |
|
| 174 | +To help when they can. |
|
| 175 | + |
|
| 176 | +Look for the letter. |
|
| 177 | +Follow the way. |
|
| 178 | + |
|
| 179 | +A is the first light |
|
| 180 | +We found today! |
|
| 181 | + |
|
| 182 | +[Young girl and young boy — together] |
|
| 183 | + |
|
| 184 | +A new letter, a new way— |
|
| 185 | +Every letter lights the way. |
|
| 186 | + |
|
| 187 | +[Soft lantern chime] |
|
| 188 | +``` |
|
| 189 | + |
|
| 190 | +## Suno style prompt |
|
| 191 | + |
|
| 192 | +```text |
|
| 193 | +Playful preschool acoustic work song, approximately 2:20–2:50, with a warm |
|
| 194 | +storybook-adventure sound. Open with very short spoken narration over a |
|
| 195 | +three-note lantern chime, then move immediately into a rhythmic folk groove. |
|
| 196 | +Alternate two persistent hosts: a warm, clear young girl voice with melodic, |
|
| 197 | +observant delivery, and a bright young boy voice with rhythmic, energetic, |
|
| 198 | +playful delivery. Add one tiny, determined young guest voice. |
|
| 199 | +Use acoustic guitar, upright piano, pizzicato strings, clarinet, upright bass, |
|
| 200 | +hand claps, wooden percussion, and light stomps. Build the chorus around pushing |
|
| 201 | +and rolling, with playful musical stops and one brief instrumental rolling |
|
| 202 | +sequence. Strong character vocals, clear lyrics, no generic children’s choir, |
|
| 203 | +no baby voices, no sugary nursery-rhyme delivery, no electronic pop. End softly |
|
| 204 | +with the recurring lantern chime. |
|
| 205 | +``` |
|
| 206 | + |
|
| 207 | +## Generation record |
|
| 208 | + |
|
| 209 | +```yaml |
|
| 210 | +suno: |
|
| 211 | + prompt_version: S01E01-SUNO-PROMPT-v001 |
|
| 212 | + selected_output: "" |
|
| 213 | + selected_version: "" |
|
| 214 | + duration: "" |
|
| 215 | + status: Draft |
|
| 216 | + |
|
| 217 | +palmier_audio: |
|
| 218 | + project: "" |
|
| 219 | + asset: "" |
|
| 220 | + track: "" |
|
| 221 | + status: Pending |
|
| 222 | + |
|
| 223 | +whisper: |
|
| 224 | + model: "" |
|
| 225 | + workflow_version: "" |
|
| 226 | + transcript: "" |
|
| 227 | + timing_map: "" |
|
| 228 | + review_status: Pending |
|
| 229 | +``` |
|
| 230 | + |
|
| 231 | +## Visual timing gate |
|
| 232 | + |
|
| 233 | +Do not create the Anima storyboard until: |
|
| 234 | + |
|
| 235 | +1. A specific Suno output is selected. |
|
| 236 | +2. That exact file is imported into Palmier. |
|
| 237 | +3. Whisper transcribes the Palmier audio. |
|
| 238 | +4. The transcript is checked against these approved lyrics. |
|
| 239 | +5. The verified timecodes are converted into the episode’s shot map. |
|
| 240 | + |
|
| 241 | +After timing lock, continue with the [Episode Template](/Episode-Template) and |
|
| 242 | +[Visual Pipeline](/Visual-Pipeline). |
Season-01---Alphabet-Adventures.md
| ... | ... | @@ -25,6 +25,8 @@ her home. |
| 25 | 25 | **Visual anchors:** Tiny ant, giant red apple, anthill entrance |
| 26 | 26 | **Status:** Candidate |
| 27 | 27 | |
| 28 | +[Episode production page](/S01E01---The-Apple-and-the-Ant) |
|
| 29 | + |
|
| 28 | 30 | ### 02 · B — The Blue Boat |
| 29 | 31 | |
| 30 | 32 | **Bea the Beaver’s** little blue boat needs a quick repair before it can return |
Season-01---Music-Bible.md
| ... | ... | @@ -82,7 +82,7 @@ Best for shelter, rebuilding, keeping quiet, moonlight, and patient small steps. |
| 82 | 82 | |
| 83 | 83 | | Episode | Musical direction | Family | |
| 84 | 84 | | --- | --- | --- | |
| 85 | -| **A — The Apple and the Ant** | Stomping acoustic work song | Work | |
|
| 85 | +| [**A — The Apple and the Ant**](/S01E01---The-Apple-and-the-Ant) | Stomping acoustic work song | Work | |
|
| 86 | 86 | | **B — The Blue Boat** | Riverboat skiffle with brushed drums | Comic / Work | |
| 87 | 87 | | **C — The Curving Clover Path** | Light wandering folk tune | Trail | |
| 88 | 88 | | **D — Daisy’s Rolling Drum** | Playful miniature parade march | Comic | |
| ... | ... | @@ -135,6 +135,21 @@ Each guest receives one short musical identity without taking over the episode. |
| 135 | 135 | Examples include Ada’s determined work chant, Ellie answering her echo, Hugo’s |
| 136 | 136 | musical hiccups, and Quinn’s whisper-singing. |
| 137 | 137 | |
| 138 | +## Canonical Suno voice descriptions |
|
| 139 | + |
|
| 140 | +Use these descriptions instead of character names in performer tags: |
|
| 141 | + |
|
| 142 | +| Story role | Suno description | |
|
| 143 | +| --- | --- | |
|
| 144 | +| Narrator | `Spoken word — warm adult narrator` | |
|
| 145 | +| Melodic host | `Young girl voice — warm, clear, melodic, observant` | |
|
| 146 | +| Rhythmic host | `Young boy voice — bright, rhythmic, energetic, playful` | |
|
| 147 | +| Episode guest | A short physical and emotional description, such as `Tiny young guest voice — determined` | |
|
| 148 | + |
|
| 149 | +Names such as Lumi, Pip, and Ada may appear in lyrics but not as bracketed |
|
| 150 | +performer instructions. Copy the two host descriptions verbatim across the |
|
| 151 | +album to maximize vocal continuity. |
|
| 152 | + |
|
| 138 | 153 | ## Structures to rotate |
| 139 | 154 | |
| 140 | 155 | ### Narrative Song |